Did these a month or 2 ago for Cannonball Press. Fun, fun, fun.
Check out their site—they have the most awesome prints.
You can get any of their 18×24″ prints for only $20!!!! Seriously. Check it out.
Cannonball Press rocks.
Now in it’s 7th year, the Spring Art Tour features 20 artists who will open their studios to the public June 7, 8, 9 (Friday, Saturday, Sunday), 10-5 daily.
**NOTE: Sue will be in studio daily 10-5, EXCEPT Saturday absent 3:30-5p
S.V. Medaris’ studio will have printing demos, prints (unframed and framed), cards, pillows, t-shirts and more for sale. She is currently carving the first in a new series of Alphonse Mucha poster-inspired prints, as well as a 4ft hog woodcut, a flying (sort of) chicken linocut, and block-printing pillow covers, t-shirts and ? Lots of fun stuff.
Maps, artist profiles and more at the Mount Horeb Spring Art Tour site.
Also, Paoli’s Artisan Gallery shows are up and I think, pretty terrific. The one in the front end of the gallery is Flora and Fauna. I’ve got the new 48in goose print (reduction print–see it here) showing (over to the left on a bright blue wall that matches the blue sky in the goose painting(!), and a cutout woodcut pig.
Then, back in The Cooler (also at Artisan Gallery), it’s the Habitat ReStore Salvage Art Show and Benefit, April 10-June 2 Check out all the salvage art made by local artists. My favorites: Michael Roberts’ Hammera (a figure made out of piano hammers, from an entire piano that Michael purchased at a thrift shop), and Fish Spoon #2 by Linda Kelen (a cold-forged, chased/repoussed white bronze spoon). I’ve got 3 small wooden cutout figures–woodcut or linocuts. See all the work that’s currently showing at the online ReStore Salvage Art show April 19th – June 2nd
Opening reception Saturday, March 16, 7-10pm.
Showing with my friend and fellow artist Alicia Rheal in our From Farm to Fork (to Fabulous!) exhibit. The opening reception is a gala celebration and benefit for the Walls of Wittenberg. More info, and the poster, below. Highlight? Why Nueske’s Applewood Smoked Meats of course.
The WowSpace is located at 114 Vinal St – Wittenberg, WI. Easy to find…Just look for the 8ft hanging hog carcasses and the giant pull-toy pig (cuts) in the front windows along the main street of downtown Wittenberg!
And here’s more info about the Walls of Wittenberg ongoing mural project.
One section of the wall installed for now….
Showing this Friday at Artisan Gallery’s Painting Invitational….
(Opening this Friday, March 1, 5-9pm, Artisan Gallery in Paoli, WI)
If this big white dog–the Great Pyrenees–looks at all familiar, it’s because she’s Betty, our neighbor dog who guards her herd of alpacas. I photographed her in action helping with the birth of that baby alpaca (cria). You can see the photo sequence of ‘Alpaca gives birth’ here. The Mama alpaca is Maggie, and the cria is T-cup. This scene is from Galpaca farm, the place just down the road, to the southeast of us.
Yep, I finally picked up the brushes and started painting with oils again, after a 4-year hiatus, while I went to grad school and learned how to do relief printmaking, then spent last year perfecting the print extravaganza that was the Tunnel of Mortality.
Last month I was invited to take part in Artisan’s Painting invitational, and just figured it’s time to get back to it. It was a little slow going at first, but sort of a relief–just color, you know? And not having to think too much about it–just mixing up hues and values that work immediately. No planning out layers of colors for print.
Roughed out 4 paintings to work on simultaneously, so I could keep working without stopping and waiting for something to dry…. I started out really small with 3 little oils (before finishing Betty and the gang, at top). Here are 2 of them… above, one of our hogs from last year, ‘getting close’ to that time. And a portrait of Oreo, this great, faithful companion of a farmer on hwy 78. Oreo could often be seen patiently waiting beside the driveway entrance whenever his master went away. And here, in this shot, he lay with a very watchful eye, in the closest spot of shade, while his master worked on one of the farm vehicles.
This is turning into an annual event…. Making sausages with Bryan (and Alicia). This year we made 3 kinds: a Longuiza one, a southwestern (hot) one, and a mild apple/herb one.
Made them this past weekend so that they could “rest” and the flavors meld (in the fridge, and now in freezer) for a “Handmade” gathering this upcoming weekend. This pork is from last year’s (2011) hogs.
Here’s the hot one:
This year’s hogs are still in the pasture. Butcher date coming up in September
Why the sad face? Because this year’s pigs-now-hogs are super-cute and friendly–always talking and happy to see you (and your food gifts)….
But, I guess that means happy meat too.
We used Bryan’s Porkert sausage maker, from the Czech Republic (here’s a link to what looks like the all-metal version). I want one!
Here’s some shots (click any image to enlarge):
Once you step in the door, you are in a floor-to-ceiling, darkly wallpapered, little anteroom, about 8ft x 8ft.
The richly detailed wallpaper is actually a 10in x 10in linocut pattern printed black onto burgundy duckcloth. About 480 times. If you look closely at one of the “tiles” you will see the underlying theme of the show:
If you look behind you to your right, the outside light looks blinding compared to the dramatic low lighting surrounding you.
As you step through the door, into the anteroom, The Tunnel of Mortality is that big framed piece on the right-hand wall. It looks like any other of the framed woodcuts, except as you walk towards or by it, it changes (since it’s a 3-dimensional space, not a flat piece). If you’re not paying attention though, it doesn’t “read” as an interior space, but rather a mirror…or something. A number of visitors were looking behind and above them to figure out where the projector was. Most think it’s a mirror, but can’t figure out how come they don’t see their reflection.
Walk into the center of the room, turn to your right, and there’s the tunnel.
I’m not going to try to explain how this looks in real life, since you really have to go experience it to get it. Suffice it to say, that it’s confusing at first since you can’t quite tell what you’re looking at. Some have said it feels like a mirror.
And here’s a cropped panorama of the center section:
Reception is this Friday, 5-9pm at Artisan Gallery (directions).
And the show is up through September 9th.
So, come check it out!
Experience the tunnel!
Sign the camouflaged guestbook!
Read some of the entries in the guestbook here.
They made it. Finally! These are hog hides (and one buckskin) from last fall, 2011 (when I took them into a tannery in Milwaukee, WI). They’ve all been tanned and dyed to specific colors…
Clockwise from top: Buckskin dyed brown, Hog hide–natural, hog hide–tan, hog hide–brown, hog–black. Can’t wait to make book covers with these, but have deadlines that need to be finished first. Eyes on the prize!
BTW, anybody know how to soften hides? The hog skins are really stiff. It’s not a real problem (I dampen the hide before using it for binding, so it’ll be soft to work with), but it would be nice to know how to do it in case I need them softer when they’re dry….
Listening to rebroadcast of the Cluck: From Jungle Fowl to City Chicks interview on Larry Meiller’s show (archives) that Susan Troller and I did earlier in the year, meanwhile drawing carcass for segment of Tunnel of Mortality that is upcoming solo show in June atArtisan Gallery.
Oh yeah, and my first reduction tees! (hint to you tee printing folks: if the lino is cut out in a shape, you can just line up color #2 by matching the outside contours of the block shape to the outside edges of the print shape) Just did 2 prototypes (pink thermal shown) to see if it would work…. It did!